nOfiXeDaDdrESs

Sydney Biennale, Australia

nO fiXeD aDdrESs is firmly rooted in a fleeting moment in the history of technology: a time when the answering machine held a certain frisson, the blinking light signified a singular connection; before the proliferation of toll numbers and sex hotlines; before cable tv and community access; when you might write down your contact info inside a matchbook (when bars had matchbooks... when people smoked in bars...)

 

 

THE MATCHBOOKS

 

Distributed in bars throughout the city, usually mixed in with other matchbooks at the front counter - cashier.

 

 

 

THE TV COMMERCIALS

 

What do you think you can see in a photo like that –
a name, a date –
you know, I could tell you something real
but I can't tell you here,
and I can't tell you right now.
You'll have to call me.

THE MESSAGES

 

 

[ beginning of first outgoing message]

BACKGROUND

 

 

The confessional quality of the recorded voice soothes the listener, alternately controlling the situation and then suddenly vulnerable and rambling with stories of a photograph found.

Other stories follow in rapid succession, urgently building one on top of the other. The listener’s position drifts between voyeur and participant, and they can keep the game going ... no one has to know you’re calling me... by dialing the next number and the next number and the next number after that. Analogies to social, psychological and theatrical conceits abound, but for the moment both the recorded voice and listener are in the game together, ... ok – maybe we should try to have a real conversation... with no time for analysis until later on.

 

On the fourth call, the work builds into a complex soundtrack, folding back into previous recordings until finally, overloaded, it breaks, ending abruptly with a straightforward description of the technology and a bemused invitation to continue the piece.

 

Thousands of responses were recorded each time the piece was presented.

 

EXHIBITION HISTORY

Mercer Union, Toronto, Canada, curated by Liz Magor, including publication of an artist bookwork, TV commercials presented courtesy of Moses Znaimer CITY TV.

Centre International d'Art Contemporain (CIAC) in Montreal, Canada, curated by Claude Gosselin.

Contemproary Art Gallery, Vancouver Canada, curated by Keith Wallace. TV commercials courtesy of BCTV.

Sydney Biennale, Sydney Australia, curated by Tony Bond.

detail from bookwork published by Mercer Union, Toronto.